OnLife

Tune of the week: Broken Social Scene – 7/4 (Shoreline)

Monday / Sunshine / Hard drive upgrades.

Zuckerberg tries to defend Facebook TOS: Fails

You may not have heard about this, but Facebook have updated their Terms of Service on the quiet, adding some slightly scary terms along the lines of ‘All your content belong to us’.

The article by Mashable linked above should give you enough background on why this is bad news. The terms now read:

You hereby grant Facebook an irrevocable, perpetual, non-exclusive, transferable, fully paid, worldwide license (with the right to sublicense) to (a) use, copy, publish, stream, store, retain, publicly perform or display, transmit, scan, reformat, modify, edit, frame, translate, excerpt, adapt, create derivative works and distribute (through multiple tiers), any User Content you (i) Post on or in connection with the Facebook Service or the promotion thereof subject only to your privacy settings or (ii) enable a user to Post, including by offering a Share Link on your website and (b) to use your name, likeness and image for any purpose, including commercial or advertising, each of (a) and (b) on or in connection with the Facebook Service or the promotion thereof.

So, great. Facebook owns all my content. That’s OK, they wouldn’t make such a huge TOS change without informing me though. Wait, what?!

Seriously, in what backwards world is it OK to change the terms of use for a web service overnight without informing your userbase? E-mail, banner ad, acceptance dialogue on login, any of these would have worked. But because of the controversy they no doubt knew it would cause, Zuckerberg and co slipped it in under the radar, giving users with content they’d rather not have circulated-or-sold-by-Facebook-to-whoever-they-feel-like no chance to pull photos, video or otherwise from the site before the new terms came into effect. If I upload a piece of design work or photography to Facebook, suddenly Facebook can use it however they like, for all time, even if I quit the service? Pish.

You can read Zuckerberg’s lame reply here.

Some excellent soundbites, including “Our goal is to build great products and to communicate clearly to help people share more information in this trusted environment.”

Yeah, so that’s why there was absolutely no prompting for the acceptance of new Terms of Service? Just a sly alteration?

“I’ll post some more thoughts on openness and these other issues soon.”

I suppose it’s under the banner of ‘openness’ that such changes to the TOS were made, and because you’re all open and honest and lovely, that’s why you have the comments set to private on your blog post, Mark?

The fact of the matter is that even if what Zuckerberg alludes to in his blog post (that they’re not really evil, it’s the fault of the legalese that makes them sound evil) was the case, the legal wording of the TOS allows Facebook to use any of the content I own the rights to, that I have ever uploaded there, for whatever purpose they deem worthy, all without asking my permission. No amount of ‘we’re not that bad really’ is going to change this.

***Update: 18th February, and Facebook have rolled their TOS back to the original version while the controversy is sorted out, and the next revision apparently features less legalese. Hurrah!

* Ironically, I use this image without permission from The San Fransisco Sentinel. But that makes me lazy, not evil.

Tune of the week: Death Cab for Cutie – Company Calls

Optimistic, warm and infectious. Magic.

iPhone: Enable Emoji (Emoticons) for £0.59, no hackery needed

I’ve always had a bit of a debate with myself over emoticons – even gone through a stage of completely hating them – but ever since I started working using AIM every day to communicate with colleagues, I’ve come to the conclusion they can actually be useful (for example, to give tone of voice to a comment that could be misinterpreted over text-only communication like Instant messaging.)

When the iPhone software update including ‘Emoji’ was announced, I was quite pleased – an extra facet to e-mail and SMS on the iPhone. However, I was soon disappointed to learn that this was a feature only enabled on Japanese handsets, as Emoji is so prevalent in modern Japanese phones.

However, thanks to UneasySilence’s article, I’ve enabled this on my iPhone thanks to a 59p application called Frostyplace. No hackery required!

Walkthrough

		1. Search the App store for ‘Frostyplace. The app is an RSS and comment browser for a Japanese media site
		2. Install the app – it’s only £0.59 at time of writing.
		3. Launch the app – tap the splash screen to continue.
		4. The important part of this process: browse through entries, and particularly the comments (hit the speech bubble icon at the bottom) – you need to view an item with an Emoji, that in plain text look like , :blah: or similar, in amongst the Japanese Kanji. Looking through entries for a minute or so should guarantee triggering the preference.
		5. Open your ‘Settings’ on the iPhone and tap ‘General’.
		6. Scroll down and tap ‘International’
		7. Choose ‘Keyboards’
		8. Scroll down and select ‘Japanese’
		9. Now that you’ve browsed entires in Frostyplace that contain Emoji, a new ‘Emoji On/Off’ option is available to you. Switch this on.
		10. Now your keyboard in SMS and E-mail has a little globe icon in the bottom left. Tap this to bring up the Emoji menu.
		11. The Emoji menu has several pages you can swipe through per category – the first category (with a clock icon) is you recently used Emoji.
		12. Profit! The Emoji you send appear even on iPhones that don’t have it enabled. I’m yet to work out what other phones and devices support Emoji at present.

Credit: I read UneasySilence’s short but sweet article but I wanted to do a walk-through. Seems like this is old news, but I certainly hadn’t heard about it!

Review: Griffin ‘Tunebuds Mobile’ for iPhone

When I had an iPhone previously, before it was stolen and I had to get another, I got to the unfortunate point where I’d worn out the standard white headset that came with it. Had these been standard white Apple headphones, that would have been more of a blessing than a pain – because let’s face it, the supplied headphones are crap-o. The range of sound is apalling, and the horrendous noise leakage (which if you’ve ever traveled on public transport you’ll know all too well) is unparalleled.

In spite of improvements, the set that ship with the iPhone are not much better. However, they’re worth putting up with intially as they include an in-line remote and mic, for using as a handsfree set and controlling music playback – play and pause with a single tap, double tap for skip track and triple tap for previous track. These are the features that made me think I should just put up with them and not look into a better solution.

However, Griffin have released one – an update to their ‘Earthumps’ (now known as ‘Tunebuds’) called ‘Tunebuds Mobile’ (pictured above). These headphones promise a lot for a low price, and over the last few days I’ve been giving them a run through.

Starting with the package arriving: shipped in an attractive non-blister packed case (always wins bonus points for not having to hunt for a pair of scissors!). The Tunebuds Mobile come with a small zipped carry-case which is ideal for pocketing them alongside your iPhone and avoiding them becoming damaged. They also ship with three sizes of earbud mould, with the medium size already on the headphones. Removing these and changing to the smaller size was a better fit for my own lugs: your mileage may vary.

The construction of these earphones is great. Having been used to the rubber texture of the Apple headset’s wires that get so frequently tangled, the cables for these are sheathed in braided nylon. This means, amazingly enough, no tangles except the ones you put in intentionally. They’re more robust as a result. The earpieces themselves have no unnecessary decoration, which I like.

The audio jack is designed with the iPhone in mind, and will even fit the first generation iPhone with its annoying recessed audio port. The inline remote is where the headset loses points somewhat against the Apple set: the Apple remote is beautifully slim, and can be squeezed from either side, like one large button: the Griffin remote is slightly, though not problematically, harder to trigger. This is easily adapted to, and where it loses points, it also gains them: the in-built mic, according to my tests, performs better than the standard Apple headset for hands-free operation. Other reviews have complained about the size of the remote on the cable – it’s tiny, barely bigger than the apple remote in all except width, and even then it’s not tugging on my earlobes listing my head to one side, so I think this might have been too anal an observation.

The noise isolation is an odd one to get used to, as these in-ear headphones are close to ‘in-ear’ than the standard set: talking with both earphones in weirds me out as I worry that I’m shouting, so I take one out. This is also great as it means they’re brilliant at shutting out the noise of other iPod-weilding music fans on the way to work.

Audio quality is certainly better than the Apple set: it’s not winning any audiophile awards, but there is far greater bass performance and rich lows to be had from these headphones. The mid to upper-mid range frequencies are somewhat lacking, but this is more than made up for by the overall superior sound. The only major fault I can find with the Tunebuds mobile is that the treble performance is like having a wind up tin monkey on your shoulder clapping away with a pair of thin crash cymbals every time your drummer of choice decides to let rip at his own: abrasive, tinny sounds piercing through your skull like a straw through a slush puppy. However, you bought these headphones because you’re using them with an iPhone, iPod touch or similar supported model, right? Well, be a big boy and go into ‘Settings’ on your home screen and select ‘iPod’, go to ‘EQ’ and try ‘Treble Reducer’. Aaaaaah.

It’s unfortunate Griffin couldn’t run these past a test group whose bleeding ears would have advised about the treble problems: but a little EQ adjustment never hurt anyone, and with this in place they almightily kick the ass of the standard micky mouse set supplied with the phone.

Noise leakage is practically zero: the folk on the bus will thank you.

Summary: Great price, great build quality (no more tangles!) and with a little EQ adjustment a greatly improved sound over the standard Apple headphones supplied, without losing any of the functionality.

I bought from: i2020.co.uk for a meager £15.67 delivered. Do your ears a favour.

New year, new blog

Hello world!

Finally got my blog template to a finished-enough point to launch it. I’ve had blogs before, and for one reason or another not bothered keeping them updated. This time I’ve started with a nice theme, tweaked it and added a lot of lifstreaming feeds to a static front page, and now I’m set and ready to ramble…

Expect product reviews, iPhone hints and App reviews, geek stuff, random thoughts and rants about everything from BT to user interface design. It’s gonna be fun.

I just got a pair of Griffin ‘Tunebuds mobile’ through today: review to follow.

Until then!